<H1> The Lumière Reader </H1> |
<H1> Special Publications </H1> |
<H1> Original Artwork </H1> |
<H1> Editors’ Picks </H1> |
<H2> Film criticism, arts journalism, and digital documentaries by leading New Zealand writers and filmmakers </H2> |
<H3> Years </H3> |
<H3> Contributors </H3> |
<H3> Month </H3> |
<H3> Categories </H3> |
<H3> Tags </H3> |
<H3> The Lumière Reader presents “Out of the Mist” </H3> |
<H3> The Lumière Reader presents “Paper Boat” </H3> |
<H3> The Lumière Reader presents “Land of the Long White Stain” </H3> |
<H3> Against Efficiency and other texts </H3> |
<H3> The Human Condition: An Interview with Joshua Oppenheimer </H3> |
<H3> All Your Wants and Needs Overseas: An Interview with The PlayGround Collective </H3> |
<H3> “I feel like I was born for the Internet” </H3> |
<H3> From Soft Bomb to Silver Bullets </H3> |
<H3> Houses and Homes: Briar March on A Place to Call Home </H3> |
<H3> A Slut for Beauty: An Interview with Sarah Jane Barnett </H3> |
<H3> Anna Smaill on The Chimes </H3> |
<H3> On Literary Pilgrimage </H3> |
<H3> Patricia Highsmith—Adaptations </H3> |
<H3> To describe with intense clarity </H3> |
<H3> “The music of being human” </H3> |
<H3> The Rituals of Reporoa: The Ground We Won </H3> |
<H3> Harun Farocki: Three films, plus Beatriz’s War </H3> |
<H3> Interstellar: an introspection on fatherhood </H3> |
<H3> The long, friendly shadow of My Neighbor Totoro </H3> |
<H3> Power Structures: Leviathan, Winter Sleep </H3> |
<H3> The Documentarian: An Interview with Frederick Wiseman </H3> |
<H3> FEMEN and Me: An Interview with Kitty Green </H3> |
<H3> Documentary Realities: Screen Edge Forum 2014 </H3> |
<H3> Conversations: The Tone of Things </H3> |
<H3> Reconsidering Funny Face: An Illustrated Essay </H3> |
<H3> Simon Starling: In Speculum </H3> |
<H3> Check the Fine Print: What Exactly is The Wolf of Wall Street Selling? </H3> |
<H3> Vincent’s Hands </H3> |
<H3> A Correspondence with Eleanor Catton </H3> |
<H3> Condemned: Mental Health in African Countries in Crisis </H3> |
<H3> Five Up, The Comedian </H3> |
<H3> I’m Your Woman: A Conversation with Sylvie Simmons </H3> |
<H3> Exclusive: Masha Gessen Decides to Leave Russia </H3> |
<H3> O Brother, Where Art Thou? Terrence Malick’s The Tree of Life </H3> |
<H3> The Stuttering Conversation: Art New Zealand in 2013 </H3> |
<H3> Minutes from ‘The Clock’ </H3> |
<H3> Blonde and Blonder: The Cultural Legacy of Sweet Valley High </H3> |
<H3> Park Kiyong on Moving </H3> |
<H3> A speculative consideration of Lars von Trier and Antichrist </H3> |
<H3> Follow Us </H3> |
<H5> After 13 years of publishing in print and online, The Lumière Reader is taking a break. </H5> |
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Cost and overhead previously rendered this semi-public form of communication unfeasible.
But advances in social networking technology from 2004-2010 has made broader concepts of sharing possible.